Nnyanzi started painting in 1978 while in exile in Nairobi, Kenya. He has held many exhibits and slide\talk presentations in Africa, Europe, North America, Japan and Australia. In 1996 he had the privilege and honor of hosting among many other dignitaries, the late Ron Brown, who was Secretary of Commerce of United States of America, at his studio / gallery in Kampala, Uganda.

Batik Painting
Although Nnyanzi works in many other media, he specializes in batik painting.

Nnyanzi through extensive research and experimentation has managed to come up with a style where more than one dye can be applied to get tones and varied shades.

The result of which is remarkable. After all the required dyes have been applied, the wax is removed by placing the batik between two absorbent pieces of paper and pressed with a very hot flat iron. The wax melts with the heat and is absorbed into the sheets of paper, leaving the batik crisp clean. The rugged ages of the images are retouched using black dye in a fountain pen.

Nnyanzi's works of art are executed in multi and mono hues. He intelligently and successfully manipulates the colors and shapes with such ease that leaves the viewer spell-bound.

A talented and articulate orator, Nnyanzi's art too, eloquently and emotionally, convincingly addresses the audience.

Nnyanzi's choice of titles for his pieces too, is a work of art in itself. The titles are as descriptive and reflective as they are poetic, which makes them an integral part of the art itself. Nnyanzi's concern for humanity and cultural values manifests itself vividly in his art, which successfully captures and depicts the emotions and movements of human beings.

Inspirations
In his black and white serigraphs, using sensuous and flowing lines, Nnyanzi captures traditional African dancers and musicians in action so successfully that the rhythm is actually felt by the viewer. The black and white pieces, produced on pure cotton fabric can be aptly described as artistically eloquent and graphically articulate. Some of Nnyanzi's batik paintings have been published in open and limited edition lithographs. 

Nnyanzi's evocative and often moving art strikes a responsive cord. That, and his wide knowledge of Ganda culture and traditions plus his natural and eloquent articulation of cultural and social issues enable his audience to enjoy while being educated during his presentations.

Art combined with Royalty
His knowledge of Ganda culture and traditions and also of the neighboring people has its roots in the close association his family has had with the royal courts of Buganda, Bunyoro and Tooro for a number of generations.

Nnyanzi, himself is a descendant of Baganda chiefs, among whom was his great grandfather Paulo Nsubuga Bakunga, who participated in the making of the 1900 agreement, which laid the foundation for the creation of the modern-day Uganda. His paternal grandfather, Kesi Mukasa Bagandanswa was among the first Ugandans to visit the United Kingdom as a reward for his swift grasp of the English language at the beginning of the twentieth century.

Nuwa Wamala-Nnyanzi a minister of Internal Affairs in the Buganda Kingdom since 1992 was responsible for the successful protocol and security co-ordination during the coronation of Ssabasajja Ronald Muwenda Mutebi II, as the 36th Kabaka King of Buganda Kingdom in July, 1993.

Nnyanzi now a Minister of Arts and Social Welfare was chairman of the security committee of one of the world's most colourful weddings, billed to be "The Wedding of the Millennium".

Exhibitions
In addition to many art exhibits he has held around the globe Nnyanzi has also made several slide/talk presentations on the Baganda, Banyoro and the neighboring peoples at Universities, Colleges, Seminars and workshops.

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